Pomona Spatial Justice Collaborative

Shared Surfaces · West LA Courthouse Plaza

Open Lecture Series

As part of PSJC’s inaugural year, we hosted a three-part Open Lecture Series focused on the historically and culturally significant West LA Civic Center, colloquially known as The Courthouse. The Mid-Century Modern plaza served simultaneously as a skateboarding spot, a canvas for Indigenous and local murals, a corridor for farmers’ markets and food pantries, a site of public-space advocacy, and an economically and administratively neglected area ripe for revitalization.

URP 4830/5830 LA 4111 SPICE Grant
Lecture 1 · Fall 2026

Class in Session: Skateboarder Activism and Spot Preservation as DIY Politics

Panelists examined the history of this accidentally iconic skate spot, evaluated activist campaigns to decriminalize skateboarding, and detailed ongoing advocacy efforts to preserve recreational and community space in future site developments at The Courthouse.

Panelists

Mackenzie Eisenhour — Born in Brussels, Belgium, and raised in Norway and France, Mackenzie Eisenhour moved to California to attend UCLA to pursue a BFA in graphic design. He was associate editor for Skateboarder Magazine from 2001 to 2004, and is a contributing editor to Transworld Skateboarding Magazine. His most recent book with Rizzoli, 1000 Skateboards, catalogs the evolution of skateboard shapes and graphics to illustrate the progression of the culture from backyard pools and schoolyards to all spaces in the built environment. He recently hosted a retrospective of skate mag covers and advertisements at The Courthouse and will provide us with a historical overview of the site and its transformation into a sacred skate space.

Dr. Greg Snyder — Professor of Sociology at Baruch College in New York City holding a PhD in Sociology from the New School for Social Research. He hails from America’s Dairyland, is brother to Aaron, a former Shorty’s pro skateboarder, and currently serves on the Board of Directors for the College Skateboarding Educational Foundation. He is the author of Skateboarding LA (2017, NYU Press), a sweeping ethnography arguing that skateboarding has transformed into a legitimate subcultural career to pursue creative, entrepreneurial activities that strengthen marginalized groups’ politics in accessing city space. He will discuss this in his talk, specifically from a chapter entitled “Skateboard Activism.”

Alec Beck — Professional skateboarder, skatepark designer, Olympic skateboarding coach, and Director of Skate & Special Projects with The Skatepark Project (formerly the Tony Hawk Foundation). Over a decade of advocacy work with friends and government agencies resulted in new built environments and legalized historic skate spaces, including Stoner Plaza and the West LA Courthouse. He wrote the Skatepark Best Practices Guide and has provided guidance and funding to over 650 skateparks across all 50 states. Alec will discuss the need for public space activism, corporate tie-ins, political savvy, effective community engagement, and surviving advocacy with an open heart.

Full Lecture Video Recording
CPP Media Player ↗
Lecture 2 · Fall 2026

Perspective Drawing: Local Murals and Public Art as Activation

Panelists analyzed the role of local and Indigenous art in activating public spaces. Artists spatially oriented their paintings in relation to the plaza’s proximity to the ocean, using visual installations to express cultural resiliency, community creativity, environmental sustainability, public persistence, and political resistance to private erasure. The session explored how murals and graffiti preserved community history and identity within an overlooked civic plaza.

Panelists

Monica Zavala — An enrolled member of the Gabrielino/Tongva Nation, Acjachemen, and Chicana who finds deep inspiration in her cultural heritage, weaving stories and traditions passed down through generations into her artwork. Specializing in illustration, painting, murals, sculpture, creative writing, and digital art, she passionately collaborates with Native communities, documenting their issues, traditions, and ceremonial practices.

April Jones — Award-winning artist, documentary filmmaker, and impact journalist. Jones uses immersive journalism and documentary storytelling as tools for community organizing, civic engagement, and challenging systems that limit access to skateboarding. For more than a decade, Jones has built a body of fieldwork documenting DIY skateparks and community-built spaces around the world, revealing how communities create new models of belonging in response to institutional neglect.

Doré Kittrell — Los Angeles-based visual artist and graphic illustrator who utilizes color, light, and motion to evoke feelings of nostalgia while conveying a vision of the future. Her aesthetic blends childhood memories with elements of street art to produce a vibrant, expressive style across illustration, fine art, graphic design, motion graphics, 3D animation, and public art.

Braulio “Lalo” Beltran — Los Angeles-based artist, curator, and lead organizer of Meeting of Styles Los Angeles. With deep roots in graffiti culture, he has dedicated his work to creating spaces where artists can collaborate, gain exposure, and contribute to the city’s creative landscape, bridging underground art culture with the broader community.

Geoff Mcfetridge — LA-based artist and designer who graduated from the Alberta College of Art and Cal Arts (BFA/MFA). His work features colorful, bold, flat colors with fine lines and minimalist puzzle-like forms seen in films like Her and Where the Wild Things Are, Metro stations, and SoFi Stadium. He is the subject of the 2023 documentary Geoff Mcfetridge: Drawing a Life. At The Courthouse, he collaborated with Nike for a mural in 2014 and recently completed “Half Floating West” for the February 2026 Converse architectural improvement event.

Full Lecture Video Recording
CPP Media Player ↗
Lecture 3 · Fall 2026

Development Schemes: Diverse Visions and Proposals as Contested Process

Panelists examined competing social, political, and economic visions for the site’s future amid financial constraints. A community-oriented designer presented historic preservation goals, a neighborhood council member shared localized community insights, a lead architect discussed an accepted mixed-use rendering alongside its environmental and economic barriers, and a pro-housing advocate offered strategies for housing unit production during an affordability crisis.

Panelists

Christopher James Alexander — Storyteller, strategist, designer, artist, and founder of CJA Creative Collaborations LLC. Formerly a curator of architecture and design at the Getty Research Institute, Chris co-curated major exhibitions including Overdrive: L.A. Constructs the Future, 1940–1990 and author of Julius Shulman’s Los Angeles. He holds a Master of Architecture degree from UCLA.

Walton Chiu — Graphic designer who designs typefaces, systems, products, events, and exhibitions. His practice explores how graphic design contributes to civic institutions, placemaking, and community planning through his embedded position within the WLA Sawtelle Neighborhood Council, collaborating with local communities, public officials, and developers to reimagine the West LA Civic Center’s future public use.

Nathan Bishop AIA, LEED AP — Design Partner-in-Charge at KoningEizenberg Architecture. Nathan oversees the firm’s major projects with a focus on social inclusivity, climate change, and resetting relationships between buildings and shared public space. He teaches design, architectural history, and theory, and has served on the Board of Directors for the LA Forum for Art and Architecture and AIA Los Angeles.

Toby Muresianu — Chair of Westside for Everyone, a volunteer community group fighting to end LA's housing crisis through affordable, sustainable, and welcoming community advocacy. He is also a writer and content creator whose work has appeared on NPR, the LA Daily News, and been viewed millions of times online.

Full Lecture Video Recording
CPP Media Player ↗